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KK’s Priest’s “Never Satisfied” video draws AI backlash

Fans praised the new recording of the 1974 Judas Priest song but challenged the digital recreation of K.K. Downing’s younger self.

KK’s Priest has released a new version of Judas Priest’s “Never Satisfied,” accompanied by a video that has drawn criticism from fans for its apparent reliance on artificial-intelligence imagery. The video was directed by John Psaras and centres on a digitally recreated young K.K. Downing, a portrayal that traces the guitarist’s early path toward a music career. The criticism focused on the visuals rather than the recording. Fans praised the track while objecting to the technology, with comments including: “Love the tune, AI not needed” and “Great version, but AI ruins it.” Coverage of the release described the imagery as apparently AI-generated, while Chaoszine noted that the video’s precise production methods had not been independently confirmed. Louder described the recreation of Downing as AI-assisted and reported that JPSR Studio, whose website acknowledges using AI, combines videography, special effects, sound engineering and an AI-native production pipeline. Downing defended the approach, saying the video could not have been made without modern technology because accurately bringing his younger self to life would otherwise have been impossible. The song dates from Judas Priest’s 1974 debut album, “Rocka Rolla,” and was co-written by Downing and the band’s original lead vocalist, Al Atkins. It was part of Judas Priest’s live repertoire during Atkins’s tenure and after Rob Halford joined the group. Downing said revisiting it offered a chance to look back across decades and consider how the material might present itself years later. KK’s Priest features former Judas Priest members Downing on guitar and Tim “Ripper” Owens on vocals. Owens, who sang on Judas Priest’s “Jugulator” and “Demolition” during his 1996-2003 stint with the band, recorded the new interpretation of a song originally performed by Halford. Downing said the two singers have distinct delivery and vocal tonality, while both are capable of putting their own stamp on the track. The release is a newly reworked version rather than the pair’s first recent attempt at the song. Downing and Owens issued a different version in June 2025; this one includes fresh drum tracks from Sean Elg, new rhythm guitars by Downing and A.J. Mills, plus a new mix and mastering. KK’s Priest was touring North America with W.A.S.P. when the release arrived, with Downing saying the group had completed 21 dates and had 21 remaining.